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| WIRE Andrey Kiritchenko-True Delusion Ukrainian electronic musician Andrey Kiritchenko conceived of True Delusion as an album exploring the harmonic overtones of guitar and piano. While these instruments do provide a musical and emotional framework, Kiritchenko's album is much more about the abstraction of these elements alongside commonplace incidental sounds, quiet rubbings and field recordings of domesticity. In fact, Kiritchenko is not a very good guitarist at all, never venturing beyond a chord or two, which he plucks with Ry Cooder's sense of space. But what he does with that empty space is captivating, as the quiet tinkling of cutlery, the hushed rustling of a cat scratching its ear and the crickets under the floorboards appear delicate and magical due to Kiritchenko's care and subtle DSP trickery. Once shifting to the piano, Kiritchenko's musicianship is far more confident, presenting a polyphony of cascading notes that he in turn blurs into a miasma of ringing minimalism recalling the excellent Vrioon collaboration between Alva Noto and Ryuichi Sakamoto. Jim Haynes |
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